One year on from the far-reaching inquiry into the economics of streaming, the DCMS Committee reconvened on the issue to hear on what progress has been made for artists, ...
Distribution and payments platform Stem has launched its Royalty Services product.
Earlier this year, Stem CEO & co-founder Milana Lewis spoke to Music Week about the company’s ambitions to reach ...
The impact of the pandemic in early 2020 was felt sharply in the live sector.
But for music publishing revenue, there was always going to be a delayed effect as ...
PRS For Music has today announced a £211m royalty distribution to members, marking the highest ever payment in its history, and a 18% year-over-year increase on October 2021.
Andrea Czapary ...
PRS For Music has set out its plans to launch a new online portal publishing songwriter and composer credits alongside its critical links between works and recordings identifiers.
For the ...
It’s a time of change at Defected Records, and the indie’s latest move is a plan to “set a new industry” standard for royalty rates.
Wez Saunders, who was recently ...
SoundCloud CEO Michael Weissman has hinted at what's next for the company's fan-powered royalties (FPR) model.
The digital platform triumphed in the Music Consumer Innovation category at this year's Music Week ...
A global initiative has launched to drive more accurate royalty payments for artists and songwriters from public performance.
Recognise the Music also aims to remove the manual effort for venues ...
The Copyright Royalty Board has made a final ruling on royalties paid from streaming services in the US, following a long-running appeal.
Although the decision has not been made public, ...
Utopia Music has billed its technology as a game-changer for music.
The Swiss fintech firm has spoken to Music Week about its ambitions to effectively power the back-end of the ...
