Kerrang!’s James Hickie on Blood Youth’s Beyond RepairBlood Youth’s is a story highlighting the stubborn power and magnetic draw of music. Vocalist Kaya Tarsus had been in bands since ...
BBC Radio 1’s DJ Monki on Billy Turner’s Resolution EPBilly Turner first came to my attention when I met him at a festival last year. He wasn’t playing, but ...
Spindle Magazine’s editor in chief Heather Falconer on PAULi’s The Idea Of TomorrowFor those of you who are unfamiliar with PAULi, (remember this moment, it won’t be for long!) ...
Rock Sound editor David McLaughlin on Gardenside’s self-titled EP
The best obsessions are the ones you don’t see coming. And that’s probably where I’m at with this Los Angeles quartet ...
Music Week’s Ben Homewood on Sheer Mag’s Need To Feel Your LoveI’m hijacking this space in the magazine this week to shout about Sheer Mag and their amazing debut ...
The Great Escape’s festival programmer Adam Ryan on Aldous Harding’s Party
Aldous Harding first played The Great Escape in 2015. At that point she’d only released her self-titled debut. We ...
NME’s Larry Bartleet on Confidence Man’s Boyfriend Confidence Man are responsible for the purest four minutes of fun I’ve heard all year, but I still know frustratingly little about them. ...
NME, The Independent and DIY’s Jamie Milton on Matt Maltese’s As The World Caves In
It’s already becoming quite tiring seeing every musician and their dog claiming to write politicised, ...
London In Stereo’s Gemma Samways on Code Walk’s Doubler
I fell hard for Oslo-formed duo Smerz last year, and it was through them that I stumbled upon their friends Code ...
Music Week’s Daniel Gumble on Chastity Belt’s I Used To Spend So Much Time Alone
When Seattle’s Chastity Belt released their 2014 debut No Regerts - yes, that’s a deliberate ...
