Mojo writer Martin Aston on Nakhane’s You Will Not DieProud to join the ranks of those artists who only need one name to make an indelible mark, Nakhane is ...
Guardian and Q journalist Laura Barton on Courtney Marie Andrews’ May Your Kindness RemainI spent much of last year listening to the same two tracks from Courtney Marie Andrews’ ...
GRM Daily executive producer and editor-in-chief Alex Griffin on One Acen’s Vice Versa
With one of the biggest urban records of last year under his belt already (and one of ...
Clash writer Nonny Orakwue on Vianni’s Bandit LuvaOver the past 18 months UK music has been reinvigorated by a sound that’s black, British and proud. Some call it Afro-Swing, ...
DIY digital editor Will Richards on Brockhampton’s Saturation IIIAcross last year, Los Angeles-via-Texas rap collective/self-confessed boy band Brockhampton released three LPs, suitably titled Saturation I, II and III.
Led by the ...
The Guardian/Q writer Hannah J Davies’ on Superorganism’s S/TWith the days still drizzly and dark, I find myself reaching for releases that transport me to other worlds. Currently, that ...
Fact editor-in-chief Al Horner on SL’s TropicalCroydon teenager SL had a grassroots hit last March with Gentleman - a dark, 808-splashed funeral procession of a track whose video has ...
Kerrang!/Alternative Press writer Jake Richardson on Movements’ Feel SomethingNot many bands grace the cover of Alternative Press before they’ve released a debut album, but there’s something special about California ...
Music Week's Senior staff writer Ben Homewood on Snapped Ankles' Come Play The Trees.
When a year ends, the music industry needs eyes in the back of its head, to ...
Radar Radio’s head of specialist music James Craigie on Clara La San’s Good Mourning
This week, I’ve had Good Mourning, the debut record by Manchester-based singer/producer Clara La San ...
